Monday night I transferred my new embroidery pattern for my brother's wedding pressie using the light box.
Such a difference, from my normal method of transferring frim the computer screen. The transferred design has clean crisp lines because I could press as hard as I liked and tape the fabric firmly to the light box to ensure no distortion. I'm going to love working on it.
Tuesday night I weakened and ordered the Antique Palette from Mulberry Silks for the project. Aren't the colours pretty?
Pat was very helpful, offered to do the Palette I wanted in the thickness I wanted although it is not listed on the website, and explained that if I needed more of any of the colours (the greens spring to mind as there is a LOT of foliage on my design) I can order them individually in any size I like up to 100 metres.
They are based in the Cotswolds, and though they mostly do mail order they may be able to see customers by appointment if the date is convenient. Which is a Good Thing as Esther and I are planning to be in the Cotswolds in October!
There was a choice between Fine and Medium. Medium is about twice the thickness I'm used to working with and Fine about two thirds as fine. I chose Medium, as it takes for ever to embroider a large design in very fine thread, and hopefully it will embroider up quicker. I hope I made the right decision. It is for a piece to go on the wall, and my brother's house is huge, so it will mostly be seen at a distance.
Perhaps I should do a small test piece to see if they suit the technique? I'm reluctant to waste any more time, as it'a a big project, and I need to get cracking, but I would also like to see how they work up. There's some lovely small Dillmont patterns in Broderie en Passe over at the Antique Pattern Library, and the more I think about it the more I think it's probably a good idea.
So last night I framed up the new embroidery piece ready to work on, so hopefully my silks will arrive today. I put it in a slate frame, which is time consuming, but I think is worth it, as it allows you to adjust the tension of the design. I backed the silk with white linen, and sewed the silk to the linen with Herringbone stitch, then sewed and laced the linen to the frame. This stops any pulls in the top layer from the lacing holes. The Herringbone has a little bit of "give" which is why I use it.
So here is the piece, framed and ready to go. If I'm being pernickitty I should probably adjust the lacing a little so it is more even top and bottom, but it's a bit of a pain, as the string was a bit short, and I'm reluctant to re do it entirely with longer length of string. Do you think it will make any difference having that slight "bow" at the top?